What sort of equipment are you working with?
Upstairs we’ve got the photography studio, backdrops, cameras of course, we’ve got a bank of 3D printers, high-resolution printer, high-resolution desktop laser scanner, large-format colour printer, high-spec laptops and 24-inch monitors so people can do CAD design and graphic design. And there are sewing machines and so on, and it just builds and builds and builds. If the residents make out a case for the next piece of equipment, we will prioritise their wishes.
Walsall’s a leather town; there are a lot of leather companies in Walsall, and we made contact with one. I asked them if they did leather offcuts, and they rang me the other day with an offer of maybe two or thee thousand pounds’ worth of high-quality stuff with minimal defects. That’s a resource now for the jewellery makers, for the fashion designers. I want to go on a course now to learn how to work with the stuff.
What sort of things are your residents working on?
Mark, being a luthier, he’s obviously working on guitars, and right now he’s working on a Telecaster-style custom model for a customer, which he’s building out of swamp ash – I never knew what swamp ash was. We have Carl, who’s a traditional carpenter. He’s now upcycling musical instruments to make lamps. We’re working with a guy called Lee, who’s looking to build a car to break the British land speed record by dropping a couple of jet engines into a car, so we’re doing all the prototype modelling of the car, the computational fluid dynamics to analyse the airflow. We’re working on a hydroponic system for growing plants indoors with someone setting up the first zero-waste supermarket in Birmingham. He likes the idea of hydroponics for herbs, so customers will be able to come in and just pick their own fresh herbs grown in the store.
We’re designing a flatpack loom; we’ve got a passionate textiles group and that’s a multinational group of Iranian, German, and English makers working together on fashion and textile ideas. They’re working on the idea of a flatpack loom, using traditional woodcraft but also designing some of the parts using a 3D printer – it’s a real mix, and we think that’s the way it should be.
We took our inspiration from MIT and Fab Lab. There’s one in Massachusetts called Artisan’s Asylum, which started off as a small makerspace. They now have 40 000 square feet. Welding bays, woodworking areas, spray booths, and you rent space and storage there. That’s where we want to get to.